A Look Back at TBF 2012

There is absolutly no loosers on the TBF stage as far as I’m concerned, however, complicated riff after complicated riff gets boring and in a four day span the solo’s are enormous and thick. I like all music, but something I can tap my foot to is especially good :thumbsup Good thing we are all different, something for everyone.
And just for the record Shattered, we are disscussing, not whining, so drop that attitude boy and get on the forum wagon. :cheers

Attitude?

Anyone that would like to hear the weird can tune into any Clear Channel station, any day of the week.
It's Telluride Bluegrass, not "Hey Thiele! What can you pull out of your ___ this time and who are you taking down with you?"
I don't see the need for The Everyone Everytime solos. If you've made it to the Telluride stage, we know you're very talented. Do you have to re-prove it EVERY song? Why not play more songs and divvy up the solos!

Sounds a lot like whining to me.

I guess attitude depends on your perspective.

So true Shattered

I agree w/Sh’Arm. I like the “looser nature” on the TBF stage, even if occasionally an set goes waaay over my head. (I would have liked Bela/Chris more with some more structure, too) There’s lots of “looseness” and no “losers” @ TBF, imho. :cheers

This reminds me of 2010, when I was sitting next to a guy who was complaining that the Bela Fleck, Edgar Meyer, and Omar Hakim set was a “major buzzkill.” It was one of the highlights for me. He thought Imelda May was great; that set bored me to death.

Now that I’ve kinda figured the festival out a little bit, I like those “buzzkill” sets (which, to others, might not be buzzkills). They give me the opportunity to get something to eat in town, or even catch up on sleep.

Wow - I was quote twice. :lol

Not whining here - just hearing folks wonder why ‘specials’ aren’t kept in the vein of the fest theme - Bluegrass.

Just changed one word in your quote above. Went from …MANY enjoyed… too …SOME enjoyed…

Auntie Hope :festivarian2 :green

I actually enjoyed Bela and Chris.It was great background music to get preped for thr rest of the fest.

Phil will be on the Telluride Town Park stage in less than three weeks :thumbsup as the closing act of B&B. He was given a four hour slot - which means two full sets, and lots of jamming.

I’d take this again and again and again (and again) vs. 8 different 1:15 sets which crank out 15 three minute songs per set. However, throw Railroad Earth, Yonder, SCI, Rowan, etc. (those who open things up a bit) into the mix with those acts which just play “short songs” and the equation changes for me … and I’m more inclined to appreciate the variety in approaches from different artists/bands.

Otherwise, it’s interesting to hear the word “solo” put forth … since it’s probably more in line with traditional bluegrass vs. what might be referred to as “melodic interplay” or “jamming” in so far as all instruments coming and going in parallel at the same time in more of a free form interplay. In other words, I believe “jamming” doesn’t necessarily highlight a particular instrument (even though there might a particular one considered to be the “lead”).